screenplay

"BYLINE" v1

INT. D.C. APARTMENT - DAY
Morning sunlight creeps through the shades on the window,
illuminating the floor. There are open Chinese takeout boxes
everywhere and stacks of papers and files on the cluttered
coffee table. A laptop is left half-open in the midst of the
stack, purring softly.
CU: There is a small picture frame on the end table beside
the couch. In it, a mid-20s couple is holding one another
smiling wide in what looks like a park.
Suddenly, a shrill buzz cuts through the sleepy air as a
cellphone alarm sounds. RHYS BECKETT stirs awake on a brown
leather couch, rubbing his eyes.
CU: The cellphone reads 8:30 AM with "WORK" bouncing
frantically on the screen.
RHYS drowsily reaches for the phone and taps the alarm away.
He sits up, takes a glance around his surroundings, almost as
if he is unsure of where he is. Then, he reaches for the
remote buried between the couch cushions and clicks on his
television.
MS: A news anchor's talking head appears on screen. RHYS gets
up to walk to the bathroom while the anchor continues with
the morning's breaking stories.
                  ANCHOR
         We're receiving reports this morning that
         members of the Senate were unable to reach
         a consensus over the President's proposed
         Social Security Plan, leading officials to
         believe that tomorrow's vote will once
         again be postponed. We're still awaiting
         comment from the White House on how the
         postponement will affect the contents of
         the Bill going forward. When we come back,
         is D.C.'s designer drug epidemic reaching
         new heights? Correspondent Lacie Danvers
         has more on the story.
RHYS brushes his teeth in the mirror, smiling mockingly at
his messy appearance, before turning on the shower. He turns
back to the mirror.

RHYS (huffs)

         Epidemic, huh?
He takes off his clothes and steps into the shower.
INT. D.C. APARTMENT - HALLWAY - DAY
RHYS exits his apartment, beanie on and jacket in hand as he
prepares to go to work. He is locking his apartment door when
the elevator dings in the distance. The doors slide apart and
out steps KATIE, a cute late-20s brunette. She's dressed in
chic sporty leggings and a jogging sweater that cant quite
hide how well-endowed she is and a headband. She has
headphones in but quickly takes them out as she approaches
RHYS.
                  KATIE
         Hi, Rhys. Long time no see.
RHYS, oblivious to her presence as he fiddles with his lock,
turns around.
                  RHYS
         Hmm? Oh, hey Katie. Uh, yea my bad. Lot of
         late nights recently. Work stuff, ya know.
         How ya been?
                  KATIE
         Can't complain. Haven't gotten much sleep
         lately though. I-I mean I've just been
         having trouble sleeping lately, so my
         doctor suggested I start exercising more.
         Figured I'd start today with a run.
                  RHYS
         You and me both.
KATIE looks him up and down, a smirk forming on her lips.
                  KATIE
         You sure you wanna go like that?
                  RHYS
         What? OH! Sorry, no I meant with the whole
         not sleeping thing. I'm just so-so busy
         lately that I'm either not laying down till
         like 5 a.m. or straight pulling all-
         nighters, which, if you haven't noticed by
         now, I am clearly way too old for.

> CUT TO:

1.

                  KATIE
              (chuckles)
         Oh I noticed...Well, if not sleeping is the
         game, I'd be happy to stop by sometime. We
         can keep each other company. Whaddaya say?
RHYS hesitates. KATIE looks up at him, a little flustered.
                  RHYS
         Uh-uh, yeah sure! I gotta run, but I'll see
         you later okay?
He starts off down the hallway toward the elevator.
MS: KATIE watches him for a moment before opening the door
across from his and going inside her apartment.

>CUT TO:

INT. NEWSPAPER OFFICE - DAY
RHYS walks through the front door of his publication's
building, bundled tight from the cold, coffee in hand. His
face is sullen, disinterested. As he buzzes through the
second door with his badge, he sees his Editor, JACK, mid-
40s, marching towards him pointing at the coffee cup.
                  JACK
         That from the cart on 6th Ave?
                  RHYS
         Nope. 8th.
                  JACK
         DAMNIT! You know I like the one on 6th!
                  RHYS
         Yah, I DO know. Which is why I purposely go
         four blocks out of my way every morning to
         the one on 8th so you won't steal my
         fucking coffee.
RHYS walks past JACK to his desk with JACK following behind.

2.

                  JACK
         Hey, don't get mad at me cause I prefer to
         start my day with quality, not that watered
         down bullshit. But, I'm actually surprised
         to see you here at all to be honest. I
         thought you'd submit remotely again this
         week. Figured you were still sulking.
                  RHYS
         I am not sulking.
RHYS unbuttons his coat and sits down at his cubicle.
                  JACK
         Fine. Brooding then, whatever you wanna
         call being holed up in that musty apartment
         for the last two and a half weeks.
JACK leans in, looking around to make sure he isn't
overheard.
                  JACK
         Well? Have you heard from her at least?
                  RHYS
              (irritated)
         No Jack, I haven't heard from her. Any
         other personal questions you wanna ask or
         can I get to work now?
                  JACK
         Don't be a dick alright? I'm just checking
         on you. And yes actually, where's that
         Senate piece you owe me? I don't know if
         you've taken a break from your "Fortress of
         Solitude" long enough to notice, but the
         real world's still going to shit. The vote
         will most likely get postponed to next week
         which makes your original angle stale. The
         Hill is your beat, so I'm gonna need
         something else to fill the page by
         Wednesday's meeting, otherwise it's both
         our asses.

3.

RHYS (sighs)

         I know, alright. Don't worry, I'll figure
         something out.
                  JACK
         Oh, I'm sure you will. I'd hate to have to
         fire you on you're first week back.
JACK picks up the coffee cup and takes a sip as he walks
away.
                  JACK
              (murmurs)
         Ugh, horrible.
RHYS, annoyed but not exactly surprised, watches him walk
away with his cup. He turns back toward his laptop and begins
his research.

>CUT TO:

INT. NEWSPAPER OFFICE - AFTERNOON
CU: The small digital clock on RHYS' desk reads 1:30 PM.
RHYS looks around the office cautiously as other reporters
chat with each other and make their way out the building to
lunch. He looks once more at the clock, then carefully opens
a cabinet on the floor and retrieves something from inside.
CU: It's a small prescription pill bottle. The label reads
Fentanyl. There is no patient name, but the description reads
ANXIETY.
He slides the bottle into is pocket and stands up, heading
towards the Men's restroom.
INT. MENS RESTROOM - AFTERNOON
RHYS opens the nearest stall and steps inside.
MS: His face and demeanor have changed. He is no longer calm
and collected but manic looking, as he frantically fiddles
with the bottle cap.

>CUT TO:

4.

As he attempts to open the cap, he hears the bathroom door
swing open, startling him. The cap pops off and many of the
small white pills fall straight into the toilet below.
                  RHYS
              (whispers)
                  SHIT!
CU: The inside of the bottle only has three pills left.
Annoyed, he quickly tosses the pills back down his throat,
flushes the evidence in the toilet, and hurriedly exits the
restroom.

> CUT TO:

INT. NEWSPAPER OFFICE - AFTERNOON
We see RHYS march up to his desk and quickly grab his coat
from the back of his chair.

CUT TO:

EXT. ALLEYWAY - AFTERNOON
RHYS is standing in the alleyway smoking a cigarette, bundled
tight as he hides from the wind chill. He pulls his phone out
from his coat pocket to check the time. It's 2:25 P.M
                  RHYS
              (shivers)
         Where the fuck is this kid?
Suddenly there is a short screech of bike tires coming to a
halt. A YOUNG MAN, barely 25, gets off the bike and walks it
toward the alleyway. He is dressed in a blue bubble jacket,
grey sweat shorts, and a beanie, with a heavy-looking
backpack. RHYS has a confused expression as he looks the
YOUNG MAN up and down.
                  RHYS
         Shorts? You're shitting me? You do realize
         it's like 30 degrees right now, right?
RHYS pulls his wallet from his back pocket as the YOUNG MAN
unzips the backpack.

5.

                  YOUNG MAN
         Hmm? Oh, nah I barely noticed. I'm from
         Connecticut, bro. This pussy cold don't
         even phase me. How much you need fam? I
         gotta say you ran out pretty quick.
He laughs as he pulls a black binder from the backpack and
opens one of the flaps. Inside is full of pills, all
different shapes, sizes, and colors. RHYS hands him the $200
cash from the wallet.
                  RHYS
         Same as before, just the scripts. I, uh,
         lost the last bottle somewhere.
                  YOUNG MAN
         Oh Fasho, bro, no worries. Well as long as
         the money's good, you can "lose" it as much
         as you want.
The YOUNG MAN flicks through the bills with his thumb before
tucking the money in his inside jacket pocket. He packs the
binder back in the bag and picks up his bike. He checks his
watch.
                  YOUNG MAN
              Ahh SHIT!
                  RHYS
              (startled)

                           What, what!?

                  YOUNG MAN
         I'mma be late for class again, fuck...I'll
         catch you later bro! Hit my line if you
         need me.
Without another word he jumps onto the bike and dashes off
down the street. RHYS, surprised, watches him leave before
exiting the alley.
                  RHYS
              (sarcastic)
         Okay, "BRO"...
HE heads down the street back toward his building.
MS: In the distance a black sedan cooly pulls away from the
curb across the street from the alley.

6.

7. CUT TO:

"A Special Night"

                  "A SPECIAL NIGHT"
INT. BEDROOM - DAY
KATIE stirs awake in bed. She stretches, reaching out to
TOM's side of the mattress but she cannot feel him there.
Worried, she sits upright, looking down at the unmade bed. On
the pillow is a small envelope with a heart-shaped seal on
the back. Her name is written on the front in bright red
letters. She opens it and reads.

                                           TOM (V.O.)

         Good morning Baby! There's breakfast and
         coffee on downstairs for you. I had to run
         and take care of some business before
         tonight. I want everything to be perfect.
         See you soon, snug bug! Love, Tom.
KATIE's face is puzzled as she rereads her husbands words.
                  KATIE
         Tonight...?
She snatches her iPhone from the nightstand, ignoring her
missed notifications, and flicking frantically through her
Calendar.
CU: The screen reads "No Appointments"

KATIE

Shit.

KATIE gets up and starts downstairs while dialing her best
friend Rachelle.

>CUT TO:

INT. KITCHEN - DAY
KATIE walks to the counter past a plate of waffles and eggs
and pours a cup of coffee from the beeping machine. She
places her phone on Speaker Mode as Rachelle answers.
                  RACHELLE
         Hello?

                  KATIE
         Rachelle, I think I screwed up.
                  RACHELLE
         You damn right, hoe! I called you twice
         last night so we could talk about that
         Power episode you "begged" me to watch, and
         your ass is nowhere to be found.
KATIE rolls her eyes as she picks up and bites the corner of
the waffle.
                  KATIE
              (chewing, swallowing)
         SHUT UP Bitch, this is serious! Tom left me
         a note this morning!
                  RACHELLE
         A note? He broke up with you!? After three
         years of marriage he leaves a fucking
         note!? I hate weak men. He could at least--
                  KATIE
         No fool! It was a love note, but he said we
         had special plans tonight and I don't know
         what he's talking about! Do you remember me
         saying anything?
There's a beat as both women try to recall.
                  RACHELLE
         I honestly don't know girl. But maybe you
         should call him? You know, try to get some
         clues and see what's going on.
KATIE sighs, as if mad she didn't come up with the idea
herself.
                  KATIE
              (frustrated)
         Aight, I'll call you later.
KATIE hangs up and dials her husband.

CUT TO:

1.

INT. TOM'S CAR - DAY
TOM is driving in his luxury sedan down a busy street. Cars
honk on either side. There is a full brown bag from Whole
Foods sitting in the passenger seat, with a bouquet of white
roses sticking out from the top.
Suddenly, the dashboard begins to beep and TOM sees KATIE's
name appear on the caller I.D. He clicks the steering wheel
to answer her call.
                  TOM
              (smiling)
         You get my note!?
                  KATIE
              (nervous laugh)
         Aha, yea babe I got it...Thank you for the
         waffles they were great.
                  TOM
         Anything for my Baby.
MS: Tom's car pulls into the parking lot of a jewelry store.
                  KATIE
         So, I was wondering, what should I wear for
         tonight?
                  TOM
         Whatever you're comfortable in babe.
INT. KITCHEN - DAY
KATIE looks even more annoyed and confused.
                  KATIE
         Okayyy, well where should I meet you?
                  TOM
         Meet me at the dinner table

> CUT TO:

KATIE looks around the kitchen at the table, completely lost
now.

2.

                  KATIE
         L-like...our dinner table? Like at home?
                  TOM
         YES! Don't worry, I'll see you later. Gotta
         run babe. Love ya.
                  KATIE
         Oh, wait, wait!!
The call drops. Katie looks at the phone in her hand, the
huffs as she storms out the kitchen.

DISSOLVE TO:

EXT. TOM AND KATIE'S HOUSE - NIGHT
There is an establishing shot of the outside of the house.
The sun is setting behind the trees as the evening commences.

CUT TO:

INT. BATHROOM - NIGHT
KATIE looks at her reflection in the mirror, turning
constantly. She is wearing a tight red dress and black heels.
She adjusts her cleavage in the mirror and checks her makeup
once more before leaving the bathroom.
Off screen, we can hear the clang of pots and pans from the
Kitchen downstairs.

CUT TO:

INT. KITCHEN - NIGHT
TOM is shuffling madly to clean up his mess from his pasta
dinner he prepared. He is dressed in black slacks, black
dress shoes, a midnight blue dress shirt with the sleeves
rolled, and a grey apron.
He spoons some sauce from the pan and tastes it.
                  TOM
         mmm,mmm!...I did that.
He quickly tosses off the apron and sets the dinner table.

3.

                  TOM
            BABE! ITS' READY!!
KATIE walks down the stairs, holding the railing as she
balances in her heels. She slowly walks into the kitchen
taking in the aroma and the scene before her eyes.
TOM has decorated the table in exquisite finery, the white
roses garnished in the middle of the table, surrounded by
candlelight. He stands beside her chair, stock still like her
personal butler. He stares at her.
                  TOM
              (breathless)

                                         You look...

Tom bites his lower lip seductively. KATIE looks down,
blushing.
                  KATIE
         Well you didn't really give me much to go
         on, so I wasn't sure what you wanted.
                  TOM
         You, are what I want.
KATIE's blush reddens as she looks back up at him, smirking.
TOM opens her chair and beckons her to be seated. He pushes
her chair in and walks cooly to the counter to pour her a
glass of red wine.
MS: Katie eyes him up and down, taking in his powerful
thighs, firm backside, and strong muscular back. She too
bites her lip, trying to hide her feverish grin.
TOM turns back around and hands her her drink before sitting
down himself. KATIE cooly takes a sip.
                  KATIE
         Not that I don't love it, but you mind
         telling me what all this is about?
TOM grins as he takes another sip from his glass.
                  TOM
         I will. But first, close your eyes.

CUT TO:

4.

                  KATIE
         Oh come on, seriously?
                  TOM
         Stop pouting and just close them already!
KATIE sighs as she closes her eyes. TOM gets up from the
table and walks over to her side. He reaches in his pocket
and pulls out a long black, velvet box. He sets it carefully
on the porcelain plate in front of her.
                  TOM
         Okay, open them.
KATIE looks down to see the box. She gasps.

KATIE

Tom--

TOM

Open it.

She looks up at him then back at the box. She opens it
carefully.
CU: Inside the box is an unused pregnancy test with a small
slip of paper attached that reads "Let's Be Positive."
MS: Tears well in KATIE's eyes as she runs her fingers over
the note.
                  TOM
              (nervous)
         Y-You like it?
Katie grabs his arms and pulls him down to her, kissing him
with all the heat and passion in the world.

         KATIE
It's perfect.

FADE  OUT: